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BLOSSOMS IN ISOLATION

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During lockdown, Blossoms have been uploading covers or quarantine versions of their songs. What started like a way of keeping busy during quarantine, has developed into a complete new project  , which will be available physically by the end of the year.  Some of the covers were suggested by fans on Twitter, but others were chosen by the band . The first one I got to hear was the Frank Ocean cover of Lost. By this song, my two quarantine discoverements  were connected! It was followed by The Beatles' cover of Paperback Writer , which features in the playlist Tom shared that includes music he has been listening during quarantine . This is an amazing cover, nailed by the band .  Tom also  covered You're Gorgeous by Babybird, a song that he always sings by the end of   My Favourite Room , as he said on Twitter. The covers also include features. They joined Miles Kane for the Tame Impala cover of The Less I Know The Better   and Liam Fray (The Courteeners) for Please Don't ver

BLOSSOMS BAND (Debut album and Cool Like You Review)

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Apart from Frank Ocean, during lockdown I discovered Blossoms . The English band from Stockport was formed back in 2013, but gained relevance with their debut single, Charlemagne. With it,  they stated the synths' predominance that will remain in their songs and was in their first single, You Pulled A Gun On Me   . Tom Ogden's vocals and his special way of writing love stories made the rest and drove to the band earning a nomination for the BRITS awards . First singles ( You pulled A Gun On Me, Cut Me And I'll Bleed, The Urge  and Blow ) have Tom Ogden singing roughly, with great chorus to sing along and much rawer guitars than later on the band music. . In Winter Kiss  they demonstrate they can do great slow-tempo songs , sounding soft-pop, with an acoustic guitar base, which could have served for a country song. Some of these songs were included in their debut-self titled album (2016). Alongside with a half of new tracks. Throughout the album Tom sings about love in diffe

CHRIS ALBUM REVIEW-CHRISTINE AND THE QUEENS

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After successing with Chaleur Humaine,  her first, soft and vulnerable album, Christine and the Queens came back in 2018 with her second chapter Chris . The title is a true statement. She is not vulnerable now, she is fearless, confident, ready to embrace her sexuality, often playing with gender ambiguity. The record opens with Comme Si  ,a synth-pop track where she declares that this new persona ( Chris) has always been there (I've been there ,infectious). The second track is Girlfriend. This is a true affirmation of Chris non embracing a gender (Girlfriend/ Don't feel like a girlfriend/ But lover/ Damn, I'd be your lover)  alongside Dam-Funk's  vocals and his fantastic keytar that drives the song into a funky addictive piece. In The walker (video shot in Spain)   , while Christine searches for violence in her skin, her voice seems a little more vulnerable and sincere ( People politely smile to make sure I won't come any closer). Chris is not afraid of talking abo

MIGUEL WILDHEART ALBUM REVIEW

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It has been five years since Miguel dropped Wildheart . The album fuses R&B with rock but making it sound as Contemporary or Progressive R&B.  This is Miguel's most risky proyect. Musically, the rock sound separates the record from Miguel's others, but beyond of that , Miguel was trying to show who he was. He wanted to define himself artistically and that is clear even in the title ( Wildheart ). As he said in an interview to Aesthetic magazine in 2018 ' it’s about knowing what you want enough to actually do it' . This is Miguel pursuing what he wants until he finally reaches it. The record starts with ' a beautiful exit'  , a piece that acts as an interlude and since the firsts seconds shows how rock-influenced it is . The track captures the spirit of the title when he sings ' Don't ever sell yourself short, sell your sad things/ Accept the new, don't mangle on the past/ Believe yourself, trust your intuition/ You're here for a reason

UK TOP 40 SINGLES CHART 26TH June 2020

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As every Friday,  a new Top 40 is announced  and there are climbs, slopes and  2 new entries.  First, let's talk about Perfect' 's ,by Ed Sheeran, return to the charts. It returned last week to the top 40 nearly three years after its  video release! That is huge, really huge and it could possibly increase the whole album (Divide) listenings. The two new entries are Midnight (The hanging tree) by Hosh &1979 ft JALJA, which has been circling over the charts for weeks and finally enters in nº34 and  Burning by M Huncho ft. Dutchavelli on number 13. The biggest fall is  Nicki Minaj and 6ix9ine's TROLLZ which drops 19 places. This contrasts with TROLLZ reaching number 1 on Billboard Hot 100 after asking fans to buy the song multiple times to increase its position on the charts. On the other hand, the biggest climb is for Jason Derulo and Jawash 685's Savage Love . It has been only for two weeks in the charts and it is probably aiming for number one the following wee

FRANK OCEAN, CHANNEL ORANGE REVIEW

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I had been hearing a lot of time about Frank Ocean but never really got into his music. During the quarantine, I had the opportunity to discover and explore his two studio albums, Channel Orange and Blonde.   Channel Orange is a brilliant debut album. The first track ont the album, Start , contains ordinary life's sounds (laughs and chat notifications sounds) but then, a TV is turned on (as in  the End track, it is turned off) ,as the beggining of something and 90s videogames sounds appear, like Frank's childhood memories.  The second track, Thinkin Bout You, turns into a love and vulnerable ballad (most in the falsetto parts) , with Ocean talking (probably) about his first love. The falsetto parts are tender,show the inocence of 'thinkin 'bout forever', as a chi ld who confess a deeply believe.There is hope, a hope for reciprocity. In the non-falsetto parts (' No, I don't like you, I just thought you were cool enough to kick it'), Frank's tone i

MY SELECTION OF BBC RADIO 1 LIVE LOUNGE PERFORMANCES

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 I'm a big fan of this BBC Radio 1 section , in which the guest artist performs live some of his/her (recent) records or singles and , moreover, does a cover of a song chosen by him/her. This gives listeners and fans some notions about the musical taste of their favourite artist and proves the skill artists have to give their touch to an another singer's song. Here there is a list with some of my favourites: 1. Christine and the Queens:  Her Beyoncé's 'Sorry' cover was nominated to 'Radio 1 Live Lounge Performance of the Year' in 2016. She absolutely changed the song by adding an 80s vibe, the bass and making the song more melodic and pop. She took the song to the dancefloor and added her charasteristic Michael Jackson-inspired vocals. Of course, Heloise sang in French!  : Christine has visited more times the Live Lounge including when she went with Charli XCX to perform 'Gone' and brought a 90s retro vibe to 'TOOTIMETOOTIMETOOTIME' by the 19

THE FEARLESS THE 1975

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The 1975 has released  'Notes On A Conditional Form' , the successor of 2018's 'A Brief Inquiry into Online Relationships' . Since August, the band has been releasing singles, giving us a taste of the variety of genres that would be on the record: The punk anthem 'People' , which gots Matty Healy singing violently , as a warrior ; The retro-90s-dance track 'Frail State of Mind' , the 2000s pop-rock inspired love story 'Me & You together song' and the country influenced  'The Birthday Party'.  In april, they published 2 singles : Jesus Christ 2005 God Bless America (ft. Phoebe Bridgers) showing the 1975 is unafraid of talking about controversial topics (homosexuality and religion) and If You're Too Shy (Let Me Know), their most commercial successful track yet (reaching number 14 on the UK Official Chart). This song gets back the usual topic on the last album, oline relationships, and has got a similar energy to It's Not Liv

AFTER HOURS REVIEW

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The weeknd publicó el 20 de marzo su álbum 'After Hours' . El álbum sigue la misma dirección que se persiguió con el lanzamiento de sus dos singles en noviembre ('Blinding Lights' y 'Heartless'): Uno con influencia ochentera que ya se mostró en 'Starboy' y otro más R&B o trap, con MetroBoomin como productor. Al lanzarse primero 'Heartless' (dos días antes que 'Blinding lights') y ser el single de regreso, 'Heartless' tuvo mayor éxito inicial entrando directamente en el número 1 en las listas americanas, pero en las pocas semanas desde el lanzamiento descendió del top 10 estadounidense. Sin embargo, 'Blinding lights' ha sabido mantenerse a largo plazo en las listas de streaming, escalando en las listas europeas consiguiendo sus primeros números uno en países como Alemania o Reino Unido. La recepción de estos dos singles ha permitido observar la diferencia de gustos entre EE.UU. y Europa. Mientras Estados Unidos se d

LA VITA NUOVA EP REVIEW

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El 27 de febrero publicó Christine and the Queens su EP  'La vita nuova' . Ese mismo día publicó una minipelícula en youtube que ofrecía videoclips de todas las canciones del EP (excepto de la bonus track 'I dissappear in your arms' ) rodado  en la ópera Garnier de París. El EP contiene 6 canciones, entre ellas 'People i've been sad' , la canción que ya públicó el 5 de febrero. La pieza que da título al EP es 'La vita nuova' , que supone el regreso de Chris a cantar en italiano desde 'Science Fiction' . Ambas comparten la base en la admiración de los ritmos disco setenteros que sonaron en Italia en esa época. Además en esta canción , Christine colabora con Caroline Polacheck , artista neoyorkina que describe la colaboración como 'dream collab'. La inspiración detrás de 'La vita nuova' se encuentra en la obra del mismo título de Dante Alighieri , donde se trata el amor platónico del escritor y Beatrice. De esa inspiración