ÁTM-Music

  The South East Londoner released last month her debut project, Under 25.  In less than two years of releases, Enny has gained the public's and critics attention with her social lyrics. Since the beginning, she has stated what she fights for: Racism,Gentrification, Feminism...There's nothing she won't talk about.  The best example may be the powerful  'Peng Black Girls ', an anthem for diversity and respect for Black women. This song caught Jorja Smith 's attention and made her sign Enny to her record label FAMM. Unlike most rappers of her generation, Enny rarely delivers her message with aggressiveness. Some rappers rely on flexing and lyrics about showing-off to fight for change,but that's not Enny's case. She doesn't need to. Her power and truth is on the lyrics and message. That's why Enny's delivery is calm, only emphasized by some hand movements.  Her latest single ( Keisha's & Brenda's ) is also a symbol of Enny's soci

Last month Jorja Smith released ' Be Right Back' , a project with eight songs that follows up her debut album (' Lost & Found '). The collection forgets her 2019 hit ,  Be Honest,  and Come Over, both with a more Jamaican sound, with reggae and dancehall influences.  The visuals for this chapter, alongside with the cover, are always framed by the colour red, which is the star of the cover for the album.  Red is the usual colour for passion or love, but ,in this record, it seems  bittersweet  and incomplete . Be Right Back starts with Addicted , full of Jorja's  delicious bare vocals. It was the first single released from the mini-album and it focuses on the realization after a break-up, with Jorja singing frankly after giving all in a relationship 'The hardest thing / You are not addicted to me/ I'm the only thing you should need'. The track includes soul production and alt-rock guitars that reminded me of part of John Mayer's solo in Fran