ÁTM-Music

 A few weeks ago, on March 19, it was the one year anniversary of Teatro D'Ira Vol. 1 , the second album from Maneskin . The project came just a couple of weeks after winning Sanremo, a commercial technique that is often used to make the most of the contestants' stardom - like Irama has done with Il giorno in cui ho smesso di pensare - On the album, Maneskin tried to fulfill and accomplish their best rock sound after the more pop Il ballo de la vita . Today, we focus on the first single from Teatro D'Ira  , VENT'ANNI, where the band melts in alt-rock guitars -forgetting hard rock for a while- to introduce ballad drums in the closing piece of the album.   Vent'anni is an authentic existentialist poem about the worries of people in their early twenties:  The ambition to leave a mark, idealism, the choices and mistakes we made, the opposition to materialism... Just in the first lines, Maneskin adresses the current topic of nonsense-drama associated with teenagers an

The phenomenon is not only European: The Italian group scores their first entry on the Billbard HOT 100 with Beggin' (#78).  Since they won the Eurovision Song Contest, back in May, the band has experienced a huge ascent in popularity. Let's analyse the keys to this phenomenon step by step: 1.SUCCESS IN ITALY   Maneskin did not win X Factor (Italy) in 2017, but they were so close, and throughout the whole contest, they showed they had something special. In fact, they did since the very beginning: Their first audition felt like a freestyle and was later a track ( Chosen ) in their first project. The message of that song was basically  'I was born to do this', to be an artist. Damiano's fluency while moving onstage and the message did the rest and convinced the judges. Throughout the contest, they showed their passion for rock, covering The Killers' Somebody told me . They also covered Beggin ', their biggest hit yet.  Moreover, they did not only had the rock