ÁTM-Music

During lockdown, Blossoms have been uploading covers or quarantine versions of their songs. What started like a way of keeping busy during quarantine, has developed into a complete new project  , which will be available physically by the end of the year.  Some of the covers were suggested by fans on Twitter, but others were chosen by the band . The first one I got to hear was the Frank Ocean cover of Lost. By this song, my two quarantine discoverements  were connected! It was followed by The Beatles' cover of Paperback Writer , which features in the playlist Tom shared that includes music he has been listening during quarantine . This is an amazing cover, nailed by the band .  Tom also  covered You're Gorgeous by Babybird, a song that he always sings by the end of   My Favourite Room , as he said on Twitter. The covers also include features. They joined Miles Kane for the Tame Impala cover of The Less I Know The Better   and Liam Fray (The Courteeners) for Please Don't ver

After successing with Chaleur Humaine,  her first, soft and vulnerable album, Christine and the Queens came back in 2018 with her second chapter Chris . The title is a true statement. She is not vulnerable now, she is fearless, confident, ready to embrace her sexuality, often playing with gender ambiguity. The record opens with Comme Si  ,a synth-pop track where she declares that this new persona ( Chris) has always been there (I've been there ,infectious). The second track is Girlfriend. This is a true affirmation of Chris non embracing a gender (Girlfriend/ Don't feel like a girlfriend/ But lover/ Damn, I'd be your lover)  alongside Dam-Funk's  vocals and his fantastic keytar that drives the song into a funky addictive piece. In The walker (video shot in Spain)   , while Christine searches for violence in her skin, her voice seems a little more vulnerable and sincere ( People politely smile to make sure I won't come any closer). Chris is not afraid of talking abo

The 1975 has released  'Notes On A Conditional Form' , the successor of 2018's 'A Brief Inquiry into Online Relationships' . Since August, the band has been releasing singles, giving us a taste of the variety of genres that would be on the record: The punk anthem 'People' , which gots Matty Healy singing violently , as a warrior ; The retro-90s-dance track 'Frail State of Mind' , the 2000s pop-rock inspired love story 'Me & You together song' and the country influenced  'The Birthday Party'.  In april, they published 2 singles : Jesus Christ 2005 God Bless America (ft. Phoebe Bridgers) showing the 1975 is unafraid of talking about controversial topics (homosexuality and religion) and If You're Too Shy (Let Me Know), their most commercial successful track yet (reaching number 14 on the UK Official Chart). This song gets back the usual topic on the last album, oline relationships, and has got a similar energy to It's Not Liv

El 27 de febrero publicó Christine and the Queens su EP  'La vita nuova' . Ese mismo día publicó una minipelícula en youtube que ofrecía videoclips de todas las canciones del EP (excepto de la bonus track 'I dissappear in your arms' ) rodado  en la ópera Garnier de París. El EP contiene 6 canciones, entre ellas 'People i've been sad' , la canción que ya públicó el 5 de febrero. La pieza que da título al EP es 'La vita nuova' , que supone el regreso de Chris a cantar en italiano desde 'Science Fiction' . Ambas comparten la base en la admiración de los ritmos disco setenteros que sonaron en Italia en esa época. Además en esta canción , Christine colabora con Caroline Polacheck , artista neoyorkina que describe la colaboración como 'dream collab'. La inspiración detrás de 'La vita nuova' se encuentra en la obra del mismo título de Dante Alighieri , donde se trata el amor platónico del escritor y Beatrice. De esa inspiración

Christine and the queens ha regresado antes de lo previsto . Tras la publicación de 'Chris' en otoño del año pasado, parecía que iban a tener que pasar años para escuchar una nueva canción de Heloise Letissier (este verano colaboró con Charli XCX en 'Gone'), igual que ocurrió en el intervalo de tiempo desde su primer capítulo , Chaleur Humaine, hasta Chris. Esta vez , Christine and the queens sorprende con un tema que podría haberse incluido siguiendo a 'Paradis Perdus' de su primer álbum 'Chaleur Humaine', pero con uso del autotune , que parece haber tomado tras la colaboración con Charli XCX , que lo usó constantemente en su álbum 'Charli'. La canción desprende la intensidad, fuerza de un sentimiento. Los coros profundizan y enfatizan en el sentimiento de Christine. En el puente , vuelve a referirse al tema de la adolescencia ,que ya había tratado en 'What's her face' de su álbum Chris. Antes de terminar , no podemos olvida