IRAMA- IL GIORNO IN CUI HO SMESSO DI PENSARE REVIEW.
Last Friday Irama released his new album, which follows up his 2020's EP, Crepe . The project comes after the incredible success of Ovunque Sarai, both commercially (the track is certified platinum in less than a month) and critically (Irama scored the 4th position in the Sanremo Festival this year) . Far from his latest latin sound, in Ovunque Sarai Irama looks at himself and his feelings. In particular, Irama portrays the feeling of missing someone relying on nature as the artistic reference point. The result is, in a chain of future tenses, a long poem , showing an almost unprecedented depth, artisitic growth and maturity. Irama's vocals on the track raise the track even more, creating an experience, where feeling is the protagonist. Now, almost a month after the Festival, we get the album, Il Giorno in cui ho Smesso di Pensare. The record includes featurings from his frecquent producer, Shablo (and also writer of Ovunque Sarai), Rkomi, Sfera Ebbasta, Guè, Mace, Wi