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HATIK DROPS THE VIDEO FOR 'ADIEU MON AMOUR'

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 Hatik has released today the video for 'Adieu Mon Amour'. It marks the end of  the Chaise Plainte era. There is no better one for this big chapter. It separates from other rap songs: There is no need for talking about money,sex and drugs . It is just the emotion of a love undermined, destroyed , which is inevitably ending. Hatik combines his best poetic lyrics with his deep pain. This is reflected on the video, where the rapper uses his acting skills to bring drama. Some images seem in slow-motion as Hatik was remebering  the good times of the relationship. In contrast, the scenes where the couple is arguing are faster and shot pretending to get you involved. After rescheduling his tour to 2021 , due to coronavirus, Hatik is preparing the next album while he says goodbye to the last in his most authentic way. Director: Anne Rivoallan

HOW PUNK AND LATE 90s, 2000s NOSTALGIA SHAPED A WHOLE GENERATION OF ARTISTS.

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 On Thursday Machine Gun Kelly released the video for ' Forget Me Too' (featuring Halsey). The song stood out from the rest of MGK's new album songs , Tickets to my Downfall, where he forgets rap to be a pop-punk star. On the track , Halsey's autotuned voice remembers of Evanescence and her look in the video does too.   His partnership with Travis Barker from Blink-182 , who also appears in the video, began in ' I think I'm Okay' (ft. Yungblud) , included in his 2019 project , Hotel Diablo . With inspiration from Blink-182 and Fall Out Boy, there are tracks that reproduce the same pop-punk spirit as the 2000s ones and others that have a modern spin ( 'My Ex's Best Friend' , feat Blackbear). Other artists influenced by 90s bands are Twenty One Pilots and Post Malone. Both artists covered an Oasis classic (' Don't Look Back In Anger ') for Leeds Festival in 2019. Post Malone, despite having great success doing rap, he sounds more authen

RECOMMENDED PODCAST:SONG VS SONG('Dirt Road Anthem' vs 'Cruise').

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Usually I recommend videos but I decided to suggest you listening to the 'song vs song' podcast, hosted by Todd Nathanson and Dany Roth,specially their latest episode (with Grady Smith as special guest). In this episode they debated about what song represents more bro-country, 'Dirt Road Anthem' by Jason Aldean or 'Cruise' by Florida Georgia Line. For those who does not what  Bro-country is, it is a country sub-genre originated in 2010s and that usually recruits country stereotypes (tracks, girls with jeans, beer, Friday nights...), frequently mistaken with nowadays country music. (There is deeper country music, truly richer).  Influenced by rock and rap, both songs got rap remixes (Jason Aldean with Ludacris (Do not confuse Jason Aldean rap verse with Ludacris one)  and Florida Georgia Line with Nelly, as Kane Brown is doing right now) and they stated a new country wave. Despite the songs were released a few years ago the Podcasters take it back to nowadays. Th

BRETT YOUNG AND BOYZ II MEN: THE KEYS TO THEIR EXCELLENT CMT CROSSROADS SHOW.

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2020 CMT Awards are set to be next week and because of that, I remember today Brett Young and Boyz II Men live show for CMT Crossroads ,CMT section that brings together a country singer/group with a musician from other genre to play live songs from both artists.  It is usually interesting to see different genres artists singing country songs, which contributes to globalise country music. Due to country music's progressive spin to pop music , these live shows have shown bonds and things in common between pop and country singers . Great example is Nick Jonas and Thomas Rhett's gig . Thomas Rhett has recognised his admiration for Bruno Mars and some of his songs sound like Maroon 5's ones. We can see it too in the last Crossroads show, starring Kelsea Ballerini and Halsey. Tracks like ' Miss Me More' or their collaboration ' The Other Girl' , highlight that they are truly pop.  Let's focus now on Brett Young and Boyz II Men 's show! The show took place

MIGUEL RETURNS WITH THE MUSIC VIDEO FOR 'FUNERAL', RELEASED ALMOST A YEAR AGO

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 Miguel has dropped today the music video for 'Funeral', a song that was released on last year's November first - yes you  heard it right.  The song did not have so much success and it was, supposedly, the lead single for an EP, set to be released last winter. The track is dark. Miguel is  not afraid of connecting religion and death  references with desire. You can feel a bit of rawness ('blood on the carpet'). Maybe it is the darkness what has not helped to pop the song. Miguel had previously talked or added religious references in the past, as in Wildheart (whose review you can read by clicking on 'album reviews'), like in'Coffee' ('two lost angels discover salvation').  Despite the song can sound different from Miguel's previous work, we still have vibrant vocals in the pre-chorus. 'I lost my mind' - Miguel sings and that madness is patent on the video too, shot in black and white, it does not need more effects to surprise. It

DUA LIPA DROPS THE ULTIMATE 'LEVITATING' REMIX.(ft.DaBaby)

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Today Dua Lipa releases a new video for 'Levitating', featuring DaBaby(Billboard baby). It seems that the Blessed Madonna, Missy Elliott and   Madonna were not enough (at least  commercially or chartly enough).  With  'Hallucinate' out of the US singles chart and  peaking on number 31 on the UK Official single chart, Dua is ready for a proper new single. 'Let's make it 2020' - Dua must be thinking. This decision is maybe promoted by 'Club Future Nostalgia' failure: Only selling 28K in its first week, after changing its release date to a week later. One great thing brought back in this remix is adding back the chorus. The Blessed Madonna remix speeded up the song, eliminating the chorus parts, which were the key of IDGAF's success.   It is remarkable that Dua decides to do two remixes of the same song, instead of dropping music videos for singles off Future Nostalgia. 'Love again' or 'Pretty Please' might be a good idea for singles

2020 LATIN GRAMMYS SURRENDER TO REGGAETON.

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 2020 Latin Grammys' nominations have been announced today, just  hours ago. As Rolling Stone Magazine says,'J Balvin leads this year's nominations with 13, followed by Bad Bunny with nine nominations and Ozuna with eight;Anuel AA, Josh Gudwin and Collin Leonard each received seven nominations'. This proves reggaeton predominance , which separates from last year's controversy. A lot of Reggaeton artists (Daddy Yankee,Karol G , Maluma...) dennounced the lack of  reggaeton's protagonism , launching the hashtag #SinReggaetonNoHayLatinGrammys. (There are no Latin Grammys without Reggaeton) Let's start! -Record of the Year:     "China" — Anuel AA, Daddy Yankee, Karol G Featuring Ozuna & J Balvin  "Cuando Estés Aquí" — Pablo Alborán  "Vete" — Bad Bunny "Solari Yacumenza" — Bajofondo Featuring Cuareim 1080  "Rojo" — J Balvin  "Tutu" — Camilo Featuring Pedro Capó "Lo Que En Ti Veo" — Kany Garc

MICHAEL KIWANUKA WINS 2020 MERCURY PRIZE- WATCH HIM DISCUSSING THE INSPIRATION FOR THE ALBUM.

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 Last Thursday Michael Kiwanuka was announced as the winner of the 2020 Mercury Prize. After the big announcement, Michael performed ' Light' on Later...with Jools Holland  .  Early this week, Michael talked to the Mercury Prize's Youtube channel about the inspiration and the making-of the album. Based on 70s Black Music, Michael is not afraid of embracing his roots, his heritage. He is confident like never before. That is why the album is called ' KIWANUKA'.  There is some kind of joy on the record, shown in ' You Ain't The Problem ', an ode to confidence and persistence on being true to yourself . African drums melt with the alt-rock spirit (emphasized with warm vocals, such as in ' Rolling ') that exists throughout the whole album and a raw honesty in the lyrics. There is also time for searching hope  ( I've Been Dazed) in a religious way and for delicious piano-ballads-interludes.  'Hero' addresses Black Lives Matter.  The reviv

ART & THE 1975

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This post is the first one of a new section, called ' Music & Visual Art'. Its purpose is to show the connection between music and other arts, specially visual arts. The point is proving how ,with the help of other arts , we can get to reflect the same that music does. In this first post the focus will be on THE 1975. Its frontman, Matty Healy appreciates and is so into different ways of art (painting, fashion and music ,of course). In an interview with GQ, he admits that ,for musicians, the ' live show is (their) c urrently artistic statement visually'.  That is probably why he also uses visual design. Talking to Pitchfork for the  On the records section, where Matty broke down all of the 1975's albums,he described the first one  as an ' Apocalyptic teenage romance' . He wanted the album's art to be ' nostalgic (...) , but also modern' , something that completely relates to the project . Black and white with some classic typography and

BEST LIVE PERFORMANCES OF CHRIS CHAPTER- TWO YEARS SINCE CHRISTINE AND THE QUEENS RELEASED 'CHRIS'

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 Two years ago , Christine and the Queens dropped her second studio album, which we have already reviewed back in July. With a new image, Christine tried to show something has changed from her vulnerable, but also determined debut album, Chaleur Humaine.  The first single, Girlfriend, had Christine not picking up between a genre, neither musically (she oscillated between funk and synth pop). Dancing got also more theatrical, with a brilliant set design, which developed in a 'must' to understand the album, to complete CHRIS experience. That is why we are going to go over the best performances of Christine while she was touring this second chapter. 1 . GLASTONBURY 2019 :With this album, she could return to Glastonbury after her 2016 set. This crowd was special to the singer, who had demonstrated its affection during her festival debut . 'Glastonfreaky' she claimed during Girlfriend performance. 2. COACHELLA 2019 : Apart from Glastonbury, she toured around the world '