1. Imploding The Mirage- The Killers. This album has an incredible way to capture immensity and euphoria (of finding trust,love and unavoidable faith), as it is shown in the wild synths on My Own Soul's Warning (with Bruce Springsteen's influenced vocals) and Dying Breed. However, it is also able to draw peaceful joy , like in the serene 'Blowback'. The record is an enchantment and delight of finding a new way full of authentic feelings, excellently brought to music. Maybe that belief in authenticity and powerful love is what we needed this year.
2.Foolish Loving Spaces-Blossoms. The Stockport band succeeds in their complete and finest analysis of love, which makes you swim through alt -rock ('Your Girlfriend' and 'Like Gravity') and pop perfection ('Oh No (I think I'm in Love)' and 'Swimming Brain') .
3.After Hours-The Weeknd. An unexpected bet for pop without leaving R&B. His admiration for 80s pop came just in time when pop seemed to be disappearing for hip/hop and trap. With vibrant and contagious synths, pop has bloomed again.
4. La vita nuova - Christine and the queens. An elegant closeness to sadness. Christine touches pain with a sutile, perfect amount of sadness('People I've been Sad' and 'Nada' or 'Mountains' ). Intense feelings are in the focus and her inspiration on the passionate love story between Dante and Beatrice proves it. Desire, the euphoria of founding it and tears flood in La vita Nuova
5. Future Nostalgia-Dua Lipa. Another certain bet for pop, disco and dance music. Bringing back pop never felt more enjoyable. It was risky to take pop back to the top of the charts instead of going with an R&B and trap beats,and Dua has revived pop, even with a sample excess.
2020 Latin Grammys' nominations have been announced today, just hours ago. As Rolling Stone Magazine says,'J Balvin leads this year's nominations with 13, followed by Bad Bunny with nine nominations and Ozuna with eight;Anuel AA, Josh Gudwin and Collin Leonard each received seven nominations'. This proves reggaeton predominance , which separates from last year's controversy. A lot of Reggaeton artists (Daddy Yankee,Karol G , Maluma...) dennounced the lack of reggaeton's protagonism , launching the hashtag #SinReggaetonNoHayLatinGrammys. (There are no Latin Grammys without Reggaeton) Let's start! -Record of the Year: "China" — Anuel AA, Daddy Yankee, Karol G Featuring Ozuna & J Balvin "Cuando Estés Aquí" — Pablo Alborán "Vete" — Bad Bunny "Solari Yacumenza" — Bajofondo Featuring Cuareim 1080 "Rojo" — J Balvin "Tutu" — Camilo Featuring Pedro Capó "Lo Que En Ti Veo" — Kany Garc...
2021 Grammy nominations have been announced. Beyoncé is the most nominated artist this year for the unnoticed Black Parade and for her film for The Lion King:The Gift. There are big snubs like The Weeknd, Luke Combs, Morgan Wallen, Summer Walker and more. Let's get into it ! 1. Grammys do not know how to classify songs with trapbeats sang by pop singers . It happened with Ariana Grande 's 7 rings, nominated last year for Best Pop Solo Performance and it is the same with Yummy and Changes. Do you remember the tweets talking bout 'R&Bieber' and that it was like a Chris Brown song? Well, for the Academy is totally pop. Grammys just do not know how to classify the plenty of songs that top the charts and that have mix trap with pop or that are simply trap. I guess The Academy is trying to nominate the new direction of pop music, but forgetting, for example, 80s influenced tracks, as The Weeknd synths tracks ' Blinding Lights'. 2. The Weeknd snub : If there ...
En julio de 2023 acudí al concierto de The Weeknd en Madrid, en el estadio Wanda Metropolitano . Con mi entrada en pista, no podía ver mucho al artista canadiense (también es verdad que la gran figura de Soroyama lo impedía). Lo bueno de este concierto, a nivel visual , es que contaba con una pasarela que recorría toda la pista de forma longitudinal y eso hacía que pudieras tener más cerca al artista. Además, había algunas pantallas adicionales -casi al final de la pista- que permitían ver lo que ocurría en el escenario a los asistentes con entrada en las gradas del fondo. En cuanto al sonido , debo decir que la acústica me pareció bastante mejorable. El sonido no se escuchaba de forma nítida. Para empezar, a The Weeknd le acompañaban, como “banda”, un baterista y Mike Dean , que tocaría los sintetizadores. Ahora, ¿se escuchaba cuando tocaban? La respuesta es no. Todo funcionaba como una sola pista en la que no se distinguía lo pregrabado de los instrumentos tocados en...
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