1. Imploding The Mirage- The Killers. This album has an incredible way to capture immensity and euphoria (of finding trust,love and unavoidable faith), as it is shown in the wild synths on My Own Soul's Warning (with Bruce Springsteen's influenced vocals) and Dying Breed. However, it is also able to draw peaceful joy , like in the serene 'Blowback'. The record is an enchantment and delight of finding a new way full of authentic feelings, excellently brought to music. Maybe that belief in authenticity and powerful love is what we needed this year.
2.Foolish Loving Spaces-Blossoms. The Stockport band succeeds in their complete and finest analysis of love, which makes you swim through alt -rock ('Your Girlfriend' and 'Like Gravity') and pop perfection ('Oh No (I think I'm in Love)' and 'Swimming Brain') .
3.After Hours-The Weeknd. An unexpected bet for pop without leaving R&B. His admiration for 80s pop came just in time when pop seemed to be disappearing for hip/hop and trap. With vibrant and contagious synths, pop has bloomed again.
4. La vita nuova - Christine and the queens. An elegant closeness to sadness. Christine touches pain with a sutile, perfect amount of sadness('People I've been Sad' and 'Nada' or 'Mountains' ). Intense feelings are in the focus and her inspiration on the passionate love story between Dante and Beatrice proves it. Desire, the euphoria of founding it and tears flood in La vita Nuova
5. Future Nostalgia-Dua Lipa. Another certain bet for pop, disco and dance music. Bringing back pop never felt more enjoyable. It was risky to take pop back to the top of the charts instead of going with an R&B and trap beats,and Dua has revived pop, even with a sample excess.
After her hit, I Hope You're Happy Now (ft. Lee Brice), which made her win a CMA Award, Carly Pearce is back with an EP of 7 songs. The first single of the project was Next Girl , written by Josh Osborne, Shane McAnally and Carly hersef. It is uptempo, fast and funny , with some clever lines referencing her ex songs' lyrics and with a teaching effort to warn the 'next girl' . Inspired by women of country (Reba, Patty Loveless...), the song is a cool breeze to mainstream country and brings back some bluegrass touch that connects with Carly Pearce's childhood and origin of her love for the country music genre. The rest of the songs of the EP remain much sadder, focusing on heartbreak from a thoughtful perspective, like in the title track, where she thinks about the year 29, when your life is usually on track, you're young and, at the same time, closer to reach certain maturity. The percussive Messy talks about the difficulty of moving on, as Day One does too. ...
This week's top 10 has got two new entries , which are Uzi's À la fête, on number10 ( with more than 10 million views on Youtube since June) and Wejdene's COCO ( number 3 this week after entering last week in number 27), her second top 10 after the success of Anissa. On number nine Bosh's Djomb goes down one place. It was a summer hit and it seems that it is going to leave the top 10 by the end of the summer. Franglish and Tory Lanez collaboration , My Salsa, is down one place after peaking in number six . In that position is, this week, Hatik's Angela. It reached number one in July despite its release in December. The track gained popularity after Hatik's role on Validé. THE TOP FIVE: After ruling the charts , NInho and Dadju's Grand Bain descends one place in the charts as well as Aya Nakamura's Jolie Nana goes down one place after being number one for a few weeks. Burna Boy's remix of Jerusalema is on number two and we will see if it final...
'Sweet Melody' rose last Friday to number one on the Official Charts. Days before the singer and producer had teased the possibility of breaking down of all the vocals on the Little Mix song. In the video, MNEK shows who does every adlib and tells more about the process of making it ( It initially started in 2017). The song is the fifth number one for the band and the last where Jesy Nelson is featured. Ver esta publicación en Instagram Una publicación compartida de MNEK (@mnek)
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